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SUBMISSIONS |
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| B |
Josh's Rag (28K3), ?? - June 01 |
7.92 |
002 |
Style:
blues/swing. This is written in honor of my first grandchild.
I tried to make it as much fun as he is. |
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| A |
Bach
Fantasy (30K3), GM - June 03 |
6.90
|
000 |
Adagio
religioso Fantasia B-A-C-H. This is a very meditative Adagio in
g minor for a stringquartett on the famous 4-note pattern B-A-C-H.
The atmosphere here is of deep sadness and pain. A contrasting
second theme in Eb Major, a kind of choral, rises up from this
like a solemn prayer conveying the love of God. Both parts are
repeated but varied and with more intensity of expression. At
the end of the movement I attached a piano version because I consider
to present the work also as a piano piece. |
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| C |
Rozhnik
(15K6), XG - June 03 |
5.95 |
000 |
Made
with Cubase Score. Should be listened with XG MIDI tone generator.
Also pretty good with SB Live! Player. |
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| B |
A
Little Weird Song (91K2), GM - June 03 |
6.88 |
000 |
Gm
format 1, rock category. |
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| B |
Edit
J. Forever (55K4), GM - June 03 |
6.81 |
000 |
Gm,
Format 1; rock category: ballada. |
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| A |
Symphony
in C minor mov 1 (203K), ?? - June 04. Updated June 27. |
8.32 |
003 |
The
movement begins with a choral in C Major with horns depicting
the beauty and hope of Life. But soon this atmosphere of dignity
is disturbed and then hit by the principle of evil, and the bright
choral theme has turned to a sad tune of depression which finally
leads to an outburst of desperation with the opening Allegro con
brio. This Allegro theme was inspired by various sketches by Beethoven
for the first movement of his planned Tenth symphony. The movement
now portrays different aspects of life: desperation, passion but
also contrasting joyful themes in the exposition and heavy struggles
in the development (b.193ff) and in the Coda, developing the great
potential of the powerful main theme. The Coda finally culminates
victoriously in the bright return of the choral theme from the
introduction with several countersubjects. The movement ends with
a final Presto with another variation of the main theme. |
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| D |
Symphonydenada
(21K2), ?? - June 04 |
6.86 |
000 |
This
is an experimental composition written more for tonal effects
than traditional melodic lines. |
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| A |
Trio
Opus 44 for Clarinet, Bassoon and Piano (24K5), GM - June
04 |
8.31 |
005 |
Here
is a playful trio for clarinet, bassoon and piano with some simple
or "traditionnal" mélodies. Music without pretention,
as I love ! I hope you'll enjoy it ! (SB Live! and Cadenza's piano
& clarinet, Ethan's bassoon). |
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| A |
Concerto
53 (82K), ?? - June 10 |
8.77 |
001 |
Questo
concerto è costruito in tre movimenti: Allegro, sereno
cantabile, Allegretto (rondò), congiunti in un unico file.
Esso è pensato per corno naturale in MIb come strumento
solista, accompagnato da una piccola orchestra da camera composta
da archi, 2 clarinetti in SIb e 2 Fagotti. L'uso dello strumento
solista è tarato sulle difficoltà medie che appaiono
nei concerti mozartiani di questo tipo e il solista potrà
fare uso solo della mano dentro al padiglione per ottenere i suoni
estranei alla gamma naturale. E' uno dei miei preferiti (specie
per il secondo movimento). |
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| A |
Piano
Sonata 3 (54K3), ?? - June 10 |
8.60 |
000 |
This
is the last movement of my Piano Sonata No. 3 in B-flat which
was composed in February of 1990. I wrote this movement with a
'B-flat minor' flavor, which adds some tension to the entire sonata.
Lots of modulation within different keys and modes makes it interesting
and quite challenging to play. Outside of that, it's a standard
rondo-sonata form with my trademark fugal theme (borrowed from
the main theme) for the development section and a brisk 'Allegro
con brio' section to end this movement. |
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| C |
Brandenberg
Echoes (390K - ZIP), GM - June 10 |
5.65 |
000 |
This
composition is configured for LPCadenza sound font, but works
well with MerlinGM21 sound font. Not recommended for general MIDI,
as you would not get the expression dynamics in the string voices
as you should. This is an arrangement from some of the Brandenberg
concerto's with some of my own interpretations mixed in... The
"echoes". |
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| C |
8.42 |
000 |
|
With
all the tempo, signature and key changes, I kept getting lost.
Perhaps you'll think I still was! |
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| |
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| A |
Journey
(23K), GM - June 10 |
7.16 |
000 |
Style:
Neo-Classical New Millennium Music Editor: Cakewalk. 3:05 min. |
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| B |
The
Blue Sea (9K), GM - June 10 |
7.18 |
000 |
Style:
New Age Editor: Cakewalk. 3:32 min |
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| C |
Freddy's
Morning Daybreak (14K6), GM/SB16 - June 17 |
7.19 |
000 |
Technical:
Sound font:GM; Sound card: Soundblaster16. Category: Orchestra.
Description: Sept. 9, 1909, Freddy,a mongrel pup, gets out a little
earlier than normal. At first he is apprehensive about the light
coming over the horizen, then just lays in wonder as light plays
on the low late summer clouds...he then realizes the sun is rising
and gets excited about a new day,then just as quickly decides
there is nothing to be excited about. Method: standard score transcribed
to midi. |
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| C |
The
Depot (33K), GM/SB16 - June 17 |
7.10 |
000 |
Technical:
Sound Font: GM; Sound Card: SoundBlaster 16. Description;Sept.
9, 1909. Freddy, the mongrel pup, realizes he has forgotten to
bark at the morning train to the city. As he runs to take care
of his duties at the depot, he is intercepted by the Fire. Department
Band, practicing on the street. Freddy attempts to lock step with
the band, but misses his train. Method: Standard score transcribed
to Midi. |
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| B |
Day
Dream (11K7), ?? - June 17 |
6.82 |
000 |
Category:
non-orchestral. Produced with: Microsoft DirectMusic Producer.
Sound Font: standard. Sound Card: Ensoniq/Creative Audio PCI. |
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| B |
Yukon
Territory (11K1), ?? - June 17 |
6.78 |
000 |
Category:
non-orchestral. Produced with: Microsoft DirectMusic Producer.
Sound Font: standard. Sound Card: Ensoniq/Creative Audio PCI. |
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| C |
Final
Battle (101K), GS - June 21 |
8.00 |
000 |
For
explaining my works, "final_battle" can be divided into
orchestral-hardrock style. The style of music is often found in
BGM of a Japanese game, such as "Final Fantasy". I like
the melody of it. Midi format is GS (SC-8820). |
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| C |
Opening
Fire (94K), GS - June 21 |
7.68 |
000 |
"opening_fire"
can be distinguished into a "Orchestral-Cinematic" style,
like an opening BGM for a video game. I think the fruit is most
magnificent font in the music. Midi format is GS (SC-8820). |
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| B |
Spanish
Impressions (40K6), GM - June 21 |
8.74 |
000 |
Title:
"Spanish Impressions" . Category: B (non-orchestral).
Comments: One of my older compositions, written in 2000. A mixture
of spanish and jazz/fusion elements with harmonies of reed instruments
typical to big band music. GM format, MIDI type 1. |
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| C |
Never
Forgotten (27K6), GM- June 22 |
8.21 |
000 |
Category:
Mixed or Unknown. So many memories of the many years that have
gone by have already been lost. Yet we'll never forget those special
moments in our lives that make us happy when we're sad, and give
us hope when we feel that all is lost. It's those parts of our
lives that make us who we are now, and they will never be forgotten. |
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| B |
When
I Dream of You (8K), GM - June 22 |
8.15 |
000 |
Category:
Non-Orchestral. This song was written for my lovely wife when
we were away for the summer. I just couldn't stop thinking about
her and was inspired to write this song. Hope you like it. |
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| |
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| A |
Fugue
for string trio in g minor (18K), ?? - June 22 |
7.81 |
003 |
Fugue
for string trio in g minor [dedicated to Setrak Setrakian]. |
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| A |
Introit
& Kyrie (33K8), ?? - June 22 |
8.23 |
000 |
Category:
Classical. Description: This little tune about death should cheer
everyone up. Written in the French Impressionistic style (G. Faure/M.
Durufle), the main focus is Choral rather than instrumental. There
are actually two choirs (left and right). The atmosphere is deliberately
subdued and if you don't hear the brass well, then the balance
is about right. The words (words in a midi?) are those of the
traditional Introit of the requiem mass, as are those of the Kyrie
(last half). When I first wrote this, it scared my daughter, so
I toned it down considerably. The Introit and Kyrie are essentially
the introduction to the Requiem. Peace! |
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| A |
Violin
Concert 1, mov 1 (29K), GM - June 27 |
7.67 |
000 |
Violin
concert 1mov. it's important the use of Cadenza soundfont for
the best rendering of violin solo (the sblive concert hall effect
it's also a good idea...). the inspiration for this brillant movement
come from a lot of virtuosistic executions that i listened to.
Style : neo-classical. |
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| B |
Will
You be my Valentine (13K), ?? - June 27 |
7.29 |
000 |
Well,
here is a song from a 13 years old boy. It's a little bit of pop-style.
I composed it about 2 weeks, but I finished the MIDI in 2 days!
When I first composed the song, I somehow was thinking in the
chorus the words "Will You Be My Valentine?". So, I
was thinking to put that name as the songs temporare name. I hope
you like it :)! |
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| A |
Opus
11 v2002 (79K4), GM - June 28 |
7.61 |
002 |
It
is a resubmission for 2002 I changed all structure, added new
accompaniments and some passages. I also would like to know the
new reviewers opinions. It plays better with standard or Merlin
soundfonts for GM. |
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| B |
Spinnaker
(54K7), GM - June 30 |
8.30 |
001 |
Mixed
using SB Live with 8MB emu sound font. GM1. Created by combining
Live play & Step entry. Category - Jazz |
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| A |
2nd
Symphony, vivace (123K5), ?? - June 30 |
9.05 |
001 |
II.
Symphony 3rd movement (Vivace). It`s a bright, funny, and joyful
finale for my 2nd Symphony, in a very clear sonata-form. |
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| C |
Under
Attack (24K2), ?? - June 30 |
8.42 |
000 |
Category:
ochestral. Description: Written for a computer game. Your base
is under attack but at the end of the piece you defend yourself
good an win. Midi formats: don´t know. |
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| A |
Forty
(45K7), GM - June 30 |
8.93 |
000 |
"40"
- a small orchestral work, with oboe and clarinet solos, commemorating
my 40th birthday, Use the latest Merlin sound fonts for the timpani,
clarinet & oboe, standard SB Live 8mb sound fonts for the
rest, and best heard with at least Concert Hall EAX/reverb. |
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| D |
Wiraqcha
(12K7), ?? - June 30 |
6.48 |
000 |
This
is part of a Circus-ballet project based on the Andean culture.
WiraQcha is the ruling principle of the Andean thought. The second
part is inspired in the Nazca Lines from a condor flight point
of view. All musical sequences are base donmathematical models. |
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| A |
Flight
(15K4), GM - June 30 |
8.41 |
003 |
Title:
Flight of Fancy. Category: Orchestral (I think?). Description:
A piece for solo classical guitar, written on a SB Live! with
concert hall reverb. |
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