| PROF | COMPOSITION | SCORE | COMMENTS | ||||||||||||||||||
| A | Elevation | 8.30 | Beautiful song. Maybe the orchestral facture too often changes, but the music has nice continuity. | ||||||||||||||||||
| B | The 60s Blues | ||||||||||||||||||||
| C | Gaspains | 7.00 | The treatment of your "band" is fascinating, it really sounds like a real performance. (the solo-guitar is brilliant) The feeling of this song is cool as well. My only problem is that the 4 bar "circle" is really tiring, it needs some break, or "arrange"... | ||||||||||||||||||
| B | Red Islands | ||||||||||||||||||||
| A | Piano Concert 1, mov 2 | 7.80 | Of course there is some cool solo part, but in the most of the piece, the piano a little bit disappeared for me. The orchestration could be a little bit more variable, and the piano would be more independent. (I`ve really liked the last, pizzicato part) | ||||||||||||||||||
| A | Altman Sonata for piano | 9.50 | |||||||||||||||||||
| A | Friday's Waltz | 6.60 | The melody would be OK, but the this treatment is a little bit mechanical. Some dinamics, and some improvement in the left hand could help lot. | ||||||||||||||||||
| D | Alien Wars | ||||||||||||||||||||
| B | Funk (A Brief Insanity) | ||||||||||||||||||||
| A | Piano Concerto #6 Mov3 Op38 | 9.60 | Spirituous variations, Brilliant ballance between the orhestra and the piano… etc… etc… Congratulations! | ||||||||||||||||||
| A | Accordions Duet Op42 | 8.50 | |||||||||||||||||||
| B | Trio No 1 | ||||||||||||||||||||
| D | Battle of Fleetzan 2002 | ||||||||||||||||||||
| B | Horses of the Time | ||||||||||||||||||||
| A | Standing Man | 7.40 | I`ve felt the choir and the timpani unnesessary, maybe it could be better if you would try to explain the final riseing with simplier tools. (in a chamber sound this piece could be nice) | ||||||||||||||||||
| D | Walk of the Grave | ||||||||||||||||||||
| B | The Eagle and the Child | ||||||||||||||||||||
| B | Mary Edna | ||||||||||||||||||||
| C | Never Again | 7.30 | It sound good, begin with a nice "song" continoue with a figurative part and ends like if somebody would shot the pianist… | ||||||||||||||||||
| A | Piano Studio 3 | 8.00 | The figurations are brilliant, and I`ve liked the harmonies in it. There are a little bit too repetition in the left hand. As a composition I think you should make some varition with them (in figuration, or in harmony) but as an improvisation, it`s perfect. | ||||||||||||||||||
| C | A Strange Song | 6.70 | |||||||||||||||||||
| C | Handel's Great Drunk | 7.50 | |||||||||||||||||||
| D | Reinvent | ||||||||||||||||||||
| C | Circa 21 | 8.40 | |||||||||||||||||||
| C | Sister Ann Joins the Carnival | 8.20 | Overall it`s a cool piece. Reminds me ELP, Ives, Goldsmith,… etc. There is lot of funny idea. (The panning is often was really disturbing for me) | ||||||||||||||||||
| B | Hungry Heart | ||||||||||||||||||||
| B | Pilate Shrugged | ||||||||||||||||||||
| B | I Am Myself | ||||||||||||||||||||
| A | Shadowplay Waltz | 7.90 | The whole is a little bit too thick and "forte" for me. Some dinamic contrast and orchestration change could improve it. | ||||||||||||||||||
| C | Entrance of the Scholars | 7.00 | |||||||||||||||||||
| B | The World is Round | ||||||||||||||||||||
| A | Hallelujah Chorus | Thank you for post it but I cannot estimate your work so I cannot compare it with others. But really thanks! | |||||||||||||||||||
| C | Chesh Lank | 7.10 | Great accompaniment for the drum-solo:) (are you a drumer?) | ||||||||||||||||||
| A | String Quartet mov 1 | 9.30 | |||||||||||||||||||
| A | String Variations | 10.00 | Music, music, and music… 16 minutes fantastic music! ("alla ungarese" really moved me:)) | ||||||||||||||||||
| B | My One and Only Love | ||||||||||||||||||||
| C | The Enchanted Storm | 8.50 | |||||||||||||||||||
| C | Dawn | 8.20 | |||||||||||||||||||
| D | Boris and Natasha | ||||||||||||||||||||
| A | Scherzo on Bee 10 | 9.30 | I don`t want to be personal, (I see that it`s not fair, I`ve seen at the reviewers rules, sorry) but I can`t keep back that it`s a great pleasure for me to see that you`ve orchestrated this piece. I`ve waited for it after the first time I`ve heard the piano version of it at www.unheardbeethoven.com almost one year ago. (I`ve tried to compare your version with the "unheard..." version, and I was really wondered:))) | ||||||||||||||||||
| C | End of the Storm | 7.30 | The constant relationship between the harmonic "carpet" and the melodic part, makes this piece a little bit homogeneous. (however there is some cool point in the harmonic progression) | ||||||||||||||||||
| A | Symphony 2, mov 1 | ||||||||||||||||||||
| A | Symphony 2, mov 2 | ||||||||||||||||||||
| A | Gran Ciaccona | 9.10 | |||||||||||||||||||
| A | Concert 43, mov 1 | 9.70 | |||||||||||||||||||
| B | Veliki Traven | ||||||||||||||||||||
| C | Astro Odyssey | 8.10 | |||||||||||||||||||
| B | The Proposition | ||||||||||||||||||||
| A | Fantasia | 7.20 | The structure is a little bit stiff. Try to hide sometimes the end (and the beginning) of the "circles". In this way it`s soounds too mechanical. | ||||||||||||||||||
| B | Rock on the Town | ||||||||||||||||||||
| B | Chinatown | ||||||||||||||||||||
| TOTAL AVERAGE | 8.13 | ||||||||||||||||||||