| PROF | COMPOSITION | SCORE | COMMENTS | ||||||||||||||||||
| A | Elevation | ||||||||||||||||||||
| B | The 60s Blues | 6.40 | Rhythm is a little repetitive in relation to the length of the piece. The synth work that you did (the melodies that is) has a lot of potential, but more effort could have gone into it, and earned a better score from me | ||||||||||||||||||
| C | Gaspains | 7.20 | I was visualizing a scary looking stripper coming out on the stage of a sleazy bar with herky jerky movements to go along with the rhythm. Not to say that's a bad scenario… I happen to like strippers. | ||||||||||||||||||
| B | Red Islands | 8.50 | A little more work and this one would have gone right through the roof. I'd like to hear more string instrumentation. | ||||||||||||||||||
| A | Piano Concert 1, mov 2 | ||||||||||||||||||||
| A | Altman Sonata for piano | ||||||||||||||||||||
| A | Friday's Waltz | ||||||||||||||||||||
| D | Alien Wars | ||||||||||||||||||||
| B | Funk (A Brief Insanity) | 7.50 | I really don't see the "insanity", Regarding your comments about this piece, First off, music is selfish. If it tickles the composers ears, then that's what it's all about. Composing outside what the world expects is innovation, and don't be surprised if others share your appreciation of new things. More power to you. | ||||||||||||||||||
| A | Piano Concerto #6 Mov3 Op38 | ||||||||||||||||||||
| A | Accordions Duet Op42 | ||||||||||||||||||||
| B | Trio No 1 | 8.60 | The piano man would have had no problem coaxing a Jackson out of my wallet down at the piano bar. Close to the quintessential jazz number this one is both relaxing and motivational, and I only wish for the composer to keep reaching for the stars… keep striving. Encore! | ||||||||||||||||||
| D | Battle of Fleetzan 2002 | ||||||||||||||||||||
| C | Horses of the Time | 8.20 | Put together well, I felt it was a little anti-climactic though, because the way it progressed, I expected something different at the conclusion, but that's not to say that it should be any different than the way the composer wrapped it up. | ||||||||||||||||||
| A | Standing Man | 8.00 | soothing | ||||||||||||||||||
| D | Walk of the Grave | 8.60 | this would do the crypt keeper proud | ||||||||||||||||||
| B | The Eagle and the Child | 6.80 | Slightly too tranquil for fantasia. | ||||||||||||||||||
| B | Mary Edna | 9.10 | Got this reviewer out of his chair after a hard day. A+ | ||||||||||||||||||
| C | Never Again | 2.80 | and that's for the cockatiel. | ||||||||||||||||||
| A | Piano Studio 3 | ||||||||||||||||||||
| C | A Strange Song | 6.20 | Sounds close to a soundtrack to a musical that I can't quite put my finger on. | ||||||||||||||||||
| C | Handel's Great Drunk | 7.00 | He doesn't sound drunk at all to me. | ||||||||||||||||||
| D | Reinvent | ||||||||||||||||||||
| C | Circa 21 | 6.20 | I fail to see where a flapper of the past fits here, and which part is from 2020? | ||||||||||||||||||
| C | Sister Ann Joins the Carnival | 8.40 | A good instrumental pictorial of chaos which is what the proverbial circus or carnival is all about. | ||||||||||||||||||
| B | Hungry Heart | 6.50 | Get out the timing light | ||||||||||||||||||
| B | Pilate Shrugged | 6.80 | |||||||||||||||||||
| B | I Am Myself | 6.50 | |||||||||||||||||||
| A | Shadowplay Waltz | ||||||||||||||||||||
| C | Entrance of the Scholars | 7.20 | Asian instrumentation a welcome change | ||||||||||||||||||
| B | The World is Round | 7.80 | a dreamy rhythm | ||||||||||||||||||
| A | Hallelujah Chorus | ||||||||||||||||||||
| C | Chesh Lank | 8.00 | |||||||||||||||||||
| A | String Quartet mov 1 | ||||||||||||||||||||
| A | String Variations | ||||||||||||||||||||
| B | My One and Only Love | 8.20 | |||||||||||||||||||
| C | The Enchanted Storm | 8.20 | |||||||||||||||||||
| C | Dawn | 7.50 | |||||||||||||||||||
| D | Boris and Natasha | ||||||||||||||||||||
| A | Scherzo on Bee 10 | ||||||||||||||||||||
| C | End of the Storm | ||||||||||||||||||||
| A | Symphony 2, mov 1 | ||||||||||||||||||||
| A | Symphony 2, mov 2 | ||||||||||||||||||||
| A | Gran Ciaccona | ||||||||||||||||||||
| A | Concert 43, mov 1 | ||||||||||||||||||||
| B | Veliki Traven | 6.20 | Sound like a hillbilly that took two too many tuinols | ||||||||||||||||||
| C | Astro Odyssey | 6.50 | for some reason this song kept losing my attention | ||||||||||||||||||
| B | The Proposition | 8.40 | The darker side appeals to me | ||||||||||||||||||
| A | Fantasia | 8.30 | |||||||||||||||||||
| B | Rock on the Town | 3.00 | Monotonously noisy. Wheres my tylenol? | ||||||||||||||||||
| B | Chinatown | 7.50 | Composer shows imagination, but too fast and busy | ||||||||||||||||||
| TOTAL AVERAGE | 7.20 | ||||||||||||||||||||